Tag Archives: coming of age

Junior Miss by Sally Benson

I’m from St. Louis, so I grew up hearing Sally Benson’s name every so often.  I’ve never met anyone who’d read her short stories, and I never read anything by her in school.  That’s a shame, because she writes better short stories than most I read in high school.

In the past year I’ve read Benson’s Junior Miss and Meet Me in St. Louis.  It could be that I’ve seen the film adaptation of Meet Me in St. Louis too many times, or that I found stories that followed one character stronger than those that covered an entire family, but I feel that the Junior Miss collection is superior.

Junior Miss
By Sally Benson
Published 1941 by Random House
214 pages
Book-of-the-Month Club selection in May 1941

JM Cover

One-Sentence Summary: Judy Graves experiences the ups and downs of being caught between her girlhood and her teenage years in New York City in 12 funny short stories.

Jacket

Jacket

How I Found It: About two years ago, I was at a used bookstore that has a fantastic selection of old hardbacks.  I have a list of books and authors I check whenever I’m in a used bookstore.  When I got to Sally Benson, I found Junior Miss.  I had been hoping to find Meet Me in St. Louis, but that book isn’t always easy to find in the city of St. Louis, and there is something so romantic about finding a long-sought book in a store rather than by ordering it online.  I bought Junior Miss and finally gave it a try this past summer.  I read it in one day.  I considered slowing down to make it last longer, but I was having too good a time seeing Judy get herself into all sorts of situations.

The Setting:  New York City, c. 1940, in and around the apartment of a middle class family.

page 120

page 120

The Characters:  Judy Graves is a mature child or an immature young adult.  She has a good nature and struggles between holding on to her childhood and embracing adolescence.  Lois is Judy’s older sister and considers herself very grown up.  Their parents are kind but often baffled by raising daughters.  Fuffy Adams is Judy’s best friend and makes appearances in many of the stories.

The Best Thing: What moves me about Junior Miss is its sensitivity.  Being a young teen in late 1930s New York was not so different from my 1990s experience in a Midwestern suburb.  In “The Best Things Come in Small Packages,” the Christmas story, Judy goes from excitedly viewing the tree, to tearing up when remembering her pet who passed away in the past year, to contentedly getting presents she expected because she asked for them, to stealing a few minutes from family time to visit with her best friend—and compare their near-identical gifts.  It could be a description one of my Christmases.

In another story (“Les Temps Perdus”), Judy discovers that she had a pirate ancestor and writes an essay for school entitled “I Am Partially Pirate.”  Few of the stories really stand out- they’re all good.

The Worst Thing: It’s the bookworm’s cliché, but I’m sorry Junior Miss wasn’t longer, or that Benson didn’t write a sequel book about Judy’s college years.  It would have been funny to see Judy and Fuffy going off to live in a dormitory and getting into all sorts of sticky situations. 

Of Note: The title refers to the first of the stories in which the Graves family goes shopping.  Much to Judy’s dismay, she is too big to fit in a beautiful coat from the children’s department.  She resists shopping in the Junior Miss section because she wants the coat so much.

The name of the candy Junior Mints is a play on Junior Miss, and is noted on the back of each box.

Availability: Junior Miss is out of print, but used copies are available for 1 cent.

The Author: Sally Benson was born in St. Louis, Missouri, in 1897.  Her family moved to New York City when she was a child.  Benson published 99 short stories in The New Yorker.  Only the two compilations mentioned above were published in book form; one must subscribe to the New Yorker to have access to the others.

Junior Miss was a Broadway play from 1941-1943, a radio show starring Shirley Temple in 1942, and was adapted for film in 1945, the year after Meet Me in St. Louis was released.  There was another Junior Miss radio series in the late 1940s that starred Barbara Whiting, who played Fuffy, Judy’s best friend, in the film.

After these successes, Benson had a career as a screenwriter, adapting Shadow of a Doubt, Viva Las Vegas, The Singing Nun, and others.  She was nominated for an Oscar for her 1946 screenplay Anna and the King of Siam (starring Irene Dunne and Rex Harrison).  She died in 1972 in California.

A book on Benson’s life and work by Dr. Maryellen Keefe will be released this year by SUNY Press.  I’m looking forward to the release of Quiet Little Affairs: The Life and Fiction of Sally Benson and will review it on this blog as soon as I get a copy.

The Film
Junior Miss
Released 1945
94 minutes
Black and white
Directed by George Seaton
Produced by 20th Century Fox

Differences: While not drastically different, this movie isn’t overly faithful to the book.  Like Meet Me in St. Louis, Junior Miss required some restructuring in order to have a linear plot rather than 12 separate episodes.  A storyline of Judy playing matchmaker, and getting in all sorts of trouble as a result, is added.  The big theme of the book—Judy is an awkward tween divided between things of childhood and the allure of young womanhood—is intact.

Cast: Peggy Ann Garner, Stephen Dunne, Allyn Joslyn, Faye Marlowe, Mona Freeman, Sylvia Field, Barbara Whiting, and Scotty Beckett.  Of the cast, Peggy Ann Garner and Barbara Whiting stand out.

Clips: You can watch the first minutes of the movie on Youtube.

http://www.youtube.com/watch?v=69y1Th4HMNA

Availability: Many classics have been released in the last couple of years, and not just the big names and award-winners.  A DVD of Junior Miss was released last year.  No special features, but good sound and picture quality.

Recommendations

The Book: The highest recommendation.  This is the perfect book to read before bed because each of the twelve stories is fairly short.  I bought copies as gifts for friends and family.

The Movie: Recommended.

Next month: The Thin Man by Dashiell Hammett

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A Tree Grows in Brooklyn by Betty Smith

The Novel

The Details:
Published in 1943 by Harper and Brothers.
493 pages.
Top 10 Publishers Weekly bestseller in 1943 and 1944.

One afternoon when I was 14 years old, I wanted to read something refreshingly different from whatever YA stuff I’d been devouring.  I went to my mother’s room and opened a bright green hardback without a dust jacket.

I wasn’t exactly grabbed by the opening lines, but the writing was perfectly easy to understand:

I took a chance and borrowed it, so beginning my first love of a novel written for adults.  That was 13 years ago and I haven’t returned it yet.

A few years later, A Tree Grows in Brooklyn was selected for Oprah’s Book Club.  I’ve read a number of Oprah’s Book Club selections and I’ve been grateful that it has brought so many readers to the book—readers who weren’t attracted to an old copy.

The Author: Elisabeth Wehner was born in Williamsburg, Brooklyn, in 1896.  She dropped out of high school, married (becoming Betty Smith), started a family, and then attended the University of Michigan.  She divorced, remarried, and began to make a name for herself as a writer in the early 1940s.  Two of her books were adapted as films.  She died in 1972 at the age of 75.

The Setting:  The tenements of Williamsburg, Brooklyn, New York, c. 1900-1920.

The Narrative: Told in third person omniscient, the novel is divided into five books that switch between two generations of a German-Irish family.

The Story: A Tree Grows in Brooklyn is the story of how home and community environment shape two generations of working class Brooklynites at the turn of the 20th century. The main character is Francie Nolan, the elder child in a Catholic family.  She struggles to survive a sickly childhood and to thrive in a home where she is loved but suffers amidst family dysfunction.  Her mother, Katie, is emotionally aloof and favors her son, though she is ashamed of the preference and tries to mask it.  Francie’s father, Johnny, a singing waiter, is closer to her.  But Johnny is an alcoholic, which is why the family lives in states of poverty and tension.  Yet he understands the value of her dreams and encourages her to follow them.

As Francie and Neeley grow older, they become aware of the conflict between their father’s way of thinking and their mother’s necessary realism, their father’s alcoholism, and how difficult it is to break the cycle of poverty.  Despite its serious subject matter, and many tear-jerking moments, A Tree Grows in Brooklyn is not devoid of humor.

The Characters:  This is a character-driven story, and all of the characters are developed and unique.  An alcoholic father finds it more comfortable to fantasize about being a wealthy star than to hold a job.  A mother has largely sacrificed her own dreams and her belief in dreams to keep her family fed.  A vivacious aunt never keeps a husband for more than a few years because her babies live for only a few hours.  The daughter, when younger, idealizes childhood memories, education, and a nice neighborhood.  Jaded after experiencing loss, struggle, and natural maturation, she is not cynical at the end.

What I like about Francie that she makes the decision not to seek friendships because they are complicated and lead to pain.  Maintaining friendships– and ending them– can be emotionally draining.  Francie seems to have made a decision to conserve her energies to deal with life’s other problems, not understanding that good friendships provide more energy than they consume.  Still, I appreciate a heroine who was alone without being lonely– one who largely was content with her books like many “reader” types are.

The Themes: The fight for survival; coming of age; the American Dream; poverty; alcoholism; mother/daughter and father/daughter relationships; truth and lies; birth, growth, and death.

The Best Thing: The details of urban family life among the poor second and third generation Americans at the turn of the century and after. The various ways neighborhood children are manipulated and victimized.  There are abundant specifics on hygiene (the unsafe lengths to which the mother goes to prevent her children from getting head lice) and frugality (the stress of saving money for years and the heartbreak of having to redirect those funds when an emergency occurs).

The Worst Thing: The book is near-perfect.  It jumps around in time more than most, but this is for the benefit of the narrative.

Of Note: The debut novel of the author, A Tree Grows in Brooklyn, is definitely the best of her four works, all of which I will review for Reel Old Reads.

To Read It: A Tree Grows in Brooklyn is available from Amazon, Barnes and Noble, and pretty much any other English language bookstore in the world.  There were some illustrations in my edition (1947):

The Film

Oscar Winners: James Dunn and Peggy Ann Garner in A Tree Grows in Brooklyn, Courtesy of Twentieth Century-Fox Film Corporation.

The Details:
Released in 1945.
Produced by 20th Century Fox.
129 minutes.
Black and white.

The Best Thing: The Christmas scenes may be what take this movie from a decent classic movie to a great classic movie.

The Worst Thing:   Changes made in the interest of time.

Differences from the Novel: To do a nearly 500 page book in two hours, many changes were necessary.  Subplots are simplified or eliminated, characters are combined, and the timeline is shortened to about one year.  But it works well, and the major themes of the book remain.

Cast: A young Dorothy McGuire plays the dedicated but edgy mother, Katie.  McGuire was not even 30 years old when the film was made, and she was only 15 years older than the actress playing her daughter.  McGuire is younger than her character, yet plays the part as aged by circumstance.  Peggy Ann Garner is quiet, sensitive, and believable as Francie.  James Dunn makes the father, Johnny, loveable to the children but another burden to bear for the wife.  All of the other performances, from Joan Blondell as Aunt Sissy and Ted Donaldson as Neeley down to the bit parts, are perfect.

Courtesy of Reelz.com.

Awards:  Won the Oscar for Best Supporting Actor (James Dunn).  Nominated for Best Writing/Screenplay (Frank Davis, Tess Slesinger).  Special Academy Juvenile Award (Peggy Ann Garner).

Of Note: Hollywood directorial debut of Elia Kazan, who is best known for On the Waterfront and A Streetcar Named Desire.  The Christmas scenes are memorable, and it’s a good movie to watch during the holiday season.

To Watch It:  The movie also airs on Turner Classic Movies periodically, usually around the holidays.  The next showing is December 11, 2012, at 12:30p.m. Eastern.  It’s not to be missed.  It’s also available on DVD.

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